Issue 35 – Rengay & Split Sequence


Deep Storage

in an old cigar box
three generations
of buttons

keys just in case

of a lock

one year gone
adding his tools
to my box

found letter

the steamy rumor

that no longer matters

the hand-me-down
cat’s eye marble

wrapped around

an aperitif glass

the war is over

Bryan Rickert, USA & Kat Lehmann, USA

Back to Normal

traffic congestion
finding no space
to reflect

crossroad winds

never coming back

display window
all the mannequins
with masks

city drifter

the close of a song

from an upstairs window

sidewalk flowers
tracing the past


between then and now

dust and ash

Hifsa Ashraf, Pakistan & John Hawkhead, United Kingdom

All Fingers and Thumbs

second date
her lipstick
stuck in the tube

borrowing a dress

that almost fits

bitten down nails . . .
the pantyhose

strappy heels––

three steps

before her ankle twists

a wet patch
where the roll-on missed

his text . . .

staying in

mustard-stained sweats

Lew Watts, USA & Tanya McDonald, USA

Split Sequence

How the Wind Moves


whistling kettle

no way left to hide

the truth

on the fire escape

knock on the door

our neighbor says she hears
every word

loud coos of pigeons

unclipped wings

the freedom to be

GRIX, USA & Christine L. Villa, USA

High Desert Blues

homestead hardware

hollow core

a door hangs on

by its good hinge

the last bounce

desert trampoline

a truck tire

gives only so much

of rusted bedsprings

hipster makeover

curating lost dreams

as their own

Peter Jastermsky, USA

To Be or Not to Be

suicide hotline

we tell each other

one more lie

bruised moon

the same platitudes

I don’t know why

I keep trying

shallow sunrise

as yesterday

dying light

will anyone catch

the falling kite

Susan Burch, USA & Vandana Parashar, India

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Issue 34 – Haiga

the red light
my round bindi
strikes his eyes

Amrutha Prabhu, India

two parentheses
I walk inside
to rest

Senryu source: Celebrating Childhood by Adonis, translated by Khaled Mattawa

Christine L. Villa, USA

peer pressure one of the herd mentality

Debbie Strange, Canada

hallowed ground
hand in hand
with echoes

lightning strike
the fizz and crackle
of our first kiss

John Hawkhead, United Kingdom

taking shape inside me, you

Julie Schwerin, USA

hotel illusion
light and shadow play
across a facade

Kate MacQueen, USA

rocky road
a month of submissions
and rejections

Mark Gilbert, United Kingdom

the doctor ups my dose
of vitamin G

Mark Meyer, USA

yin yang
she knows how to handle
my moods

Milan Rajkumar, India

old friends chat
miles of boardwalk
to reach the point
holding his memory
as he held us

Olivia Ark, Australia

when a cold was just a cold

Pris Campbell, USA

walking to think I happened

where time tempers you a showering of dust

Shloka Shankar, India

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Issue 34 – Haibun & Gembun


listen to yourself, as mute as Orion . . .

the hell we dodge
each day

Source: Remixed from pages 40, 42, 64, & 68 of The Silence of the Lambs by Thomas Harris

Shloka Shankar, India



When you speak to me or I to you, in all the different languages between us from all the worlds we live – in silliness, in seriousness, in public faces, in private fears, in the idioms of our mothers and what of our fathers has left us tongue-tied, we speak in a broken-wholeness of tongues. Seasoned past the half-mark of our lives we find, like schoolgirls, spice where there was only salt to taste before.

a splutter
in heated oil––
chattering friends

Anannya Dasgupta, India

Spring Cleaning

Thoreau’s call for simplicity still strikes a chord. Lately, I’ve been doing my bit to clear the clutter. Nothing major: just getting rid of things that I’ve been carrying around for years and have outgrown. Like you.

useful, sure,
but are they really
essential oils

Benedict Grant, Canada

Our Daily Bread

The old man’s recollection of that summer was clear. Much of the food and resources from the larger Caribbean islands nearby were used in the war effort. The boat that came to collect all the men of age to fight the war in Europe was the last to come for quite some time. Subsistence living suddenly grew even harder.

the walk to school
a mango
split four ways

Run by a handful of nuns, the only school was next to the Catholic church and it only had so many chairs. When a new child came in, one of the older kids simply cycled out. This is how, at age twelve, he became a working man. Barefoot and whip skinny, he would walk a kilometer through rough terrain to help build some of the island’s first real roads. Cutting down trees and splitting boulders. At quitting time, he would walk back home and help tend the small hillside garden plots the family would use to grow food.

island sunset
fish and rice
by lamplight

Telling me the story about the day his little brother was baptized the old man starts to tear up. At the time of the baptism, the islanders hadn’t even seen flour for nearly nine months. He simply recalled waking, working, and going to bed hungry. Baptism was an important time for the people whose life was rooted in faith. The family only had one pair of baby shoes and they had one purpose. For this family devoted to faith, the shoes were worn by every child on their day of baptism. In those days the sacrament was performed in Latin just days after birth, just in case. When the service was over, the priest took him aside. Pulling a small pouch of oats from under his cassock, the priest gave it to him. “For the baby”, the priest said. “It’s all I have to give.”

the only bread
for months

Bryan Rickert, USA


One moment your forehead is weaving a frown, then your lips curl up into a half smile. While putting you to bed, I try to anticipate what the next day will bring: a new expression, a string of gurgling sounds, or a different shade of blue in your eyes?

As you stare intently at my face, your right hand hanging on to my hair, I wonder if you will remember these bonding moments, my one-sided conversations.

my share
of the silence
mother’s day


Looking through our family albums, I notice there isn’t a single photo of just me and my mother. When I ask her why, she says she was always the one behind the camera.

old diary
that little girl’s voice
still inside me

Debbi Antebi, United Kingdom


The first thing I notice is the noren over the door, which is shaped like a pair of trousers. As I know only basic Japanese my English students wrote out the kanji characters for man and woman so I don’t enter the wrong side. A kind lady greets me at the reception and chats away. I don’t catch most of what she is saying. She imitates washing her body and I nod and smile. She then imitates getting into the pool and I give her a thumbs up.

vending machine
the change warms my hand

I undress and lock my clothes away. This is my first time being completely naked in front of strangers and I feel butterflies in my stomach. Scrubbing myself thoroughly at the washing area, I know that absolute cleanliness is important. The hot water is quite invigorating. Moving around, the heat makes me sweat profusely.

bubbles come up
as I break wind
a floating world

Just then a hunky Japanese man strides in with quite a package. He tests the water and jumps straight in. No pre-wash. He sits across from me and I catch a glimpse of his ripped abs dripping with water. I move towards the foaming spray, afraid that my manhood might get stiff for all to see. He turns around and reveals angel wings tattooed on his entire back and buttocks. My students said that the yakuza are the only ones who openly display their tattoos and they don’t like foreigners. I get out and cool down in a different bath.

cycling through puddles
the reflection of street lights
guide me home

Diarmuid Fitzgerald, Ireland

The painter of landscapes

indigo carmine
brilliant blue
fast green
sunset yellow
ponceau 4R

choosing hues
from the spectrum—
dad’s medicines

Geethanjali Rajan, India


Kat Lehmann, USA

Coming Down

On the verge of climax, he pauses to change the radio. “I prefer Rob Zombie when I’m fucked up on pills.”

evening primrose
he gets off
on my trauma

Over Before It Begins

The last time I shaved my legs, I had a panic attack. It was the first date since my engagement ended and when I told the guy I hadn’t shaved in a while, he said “well, you’ve still got a few days.”

cold tamales
the bitter taste
of expectations

Lori A Minor, USA


Too far to the left, to the right, breathe, find your center
and move from there

Rooted, as if you were a tree, let all your weight go down
below your feet, all the way to the center of the earth
At the same time, suspend your head from the heavens
to ride the clouds

Feel your feet spread out like the bottoms of a sand dune
shift your weight without pushing off from the ground
as if a thousand pounds hung off your coccyx bone
Now pop your head on straight, your neck and spine
in perfect alignment as if they were a string of pearls
imagining a one-pound weight hanging from your chin

Keep your wrists seated at all times making beautiful lady’s wrists
If your right leg is substantial your right arm is insubstantial
If the left arm is insubstantial the right leg is the one to look out for

Be like water, your gaze soft
your eyes resting on the horizon
But above all, first and foremost, you must relax

tai chi
shifting my stance
in the checkout line

Michael Henry Lee, USA


An old friend told me that since she’d stopped drinking two years ago she could no longer write. “My muse flew the coup,” she said. That seems to happen a lot with those who’ve chosen to ride the wagon. I wonder where all of these muses go? Playing the slots in Vegas maybe? Sipping a café au lait at a little French Bistro? Tucked away at a Himalayan Buddhist retreat? They may be happy that the artists, writers, musicians they inspired went dry. Can you imagine the sense of responsibility? Seldom do they get credit for any work of art produced, but always receive blame when inspiration is lacking. I’ll bet they’ve all met up to raise a glass to freedom. But there will be a few—those who actually miss their keepers—who will return with a bottle in hand, “Drink up,” they’ll say, “We’ve got some work to do.”

a smeared poem
on the bar tab

Terri L. French, USA

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