
Issue 41 Cover Artist: our thomas (@our.thomas)
___
Best of Issue / Senryu & Kyoka
Haiga
Haibun & Gembun
Linked Verse
___
Download Issue 41 Here
(best viewing)

Issue 41 Cover Artist: our thomas (@our.thomas)
___
Best of Issue / Senryu & Kyoka
Haiga
Haibun & Gembun
Linked Verse
___
Download Issue 41 Here
(best viewing)
Each new issue of Prune Juice features a best-of-issue senryu chosen by one of the co-editors.
lovebirds
a little boy
with a stone
Robert Witmer, Japan
Since taking the helm of the journal, the new editorial team of Prune Juice has marvelled at the fine quality of the submissions received. Issue #41 was no exception. We’ve curated poems that promise to delight, challenge, amuse, nudge, and inspire. Selecting the standout senryu among such a remarkable collection is a daunting task.
As I immersed myself in the draft of this issue, Robert Witmer’s senryu lovebirds refused to go dark each time I closed the lid of my laptop to attend to my day. This poem was with me in the shower, on my way to work, and as I walked by the elementary school animated with children in the playground. In the evening, I’d read this poem between the lines of wars and rumours of wars in the news.
I am captivated by the simplicity and timelessness of this senryu, the subversive surprise of its third line, and the space it leaves for the reader. Remarkably, there is no action in the poem. At all. Not a single verb. Just a pair of lovebirds and a boy. And a stone. A stone that may or may not unite the destinies of the characters, much like the snowball in Robertson Davies’ novel Fifth Business, which, when packed with a stone, triggers a chain of events leading to the eventual demise of the boy who threw it along with his unintended target.
Witmer’s senryu places us on the precipice of potentiality, creating palpable tension. In this liminal space between now and not yet, questions beyond the immediate “will he or won’t he” arise. The poem prompts contemplation on the origin of our dark compulsions, the reasons behind our turn to violence, and the need for transformation from an “I/It” to an “I/Thou” mindset.
The conclusion of this brief story remains elusive, as the questions it raises mirror the enduring quandaries we grapple with in our shared human narrative. In a time when the world calls for reflection on what it means to be human and to coexist with all sentient beings, Witmer’s senryu invites that challenging conversation.
For these reasons and more, this poem is a deserving recipient of the Best of Issue award for Issue #41. Thank you, Robert Witmer, and congratulations on this well-earned recognition!
P. H. Fischer, Co-Editor
December, 2023
will
read to heirs
in the syntax of hail
Dennis Andrew S. Aguinaldo, Philippines
hiding
our estrangement
filigree window
Wanda Amos, Australia
dna results
tonight I run
with the foghorns
Myron Arnold, Canada
forever
searching
for
beginnings
Scotch
tape
travel agency
beside the spinning globe
a lone goldfish
Ingrid Baluchi, North Macedonia
early menopause
dry leaves fall
into my lap
Hifsa Ashraf, Pakistan
famished between breaths a star posing as dead
beyond body the after-gloom reeking of genesis
Rowan Beckett, USA
ho
ho ho
the text reads
involuntarily committed
again
Jerome Berglund, USA
last view of the sea
from the prison bus
windsurfer
Steve Black, UK
Columbine: a perennial
Alan S. Bridges, USA
—later
the sword swallower
brushes his teeth
Gordon Brown, USA
love?
after sex
with an alien
his tentacles
still inside me
cat’s eye moon his affairs with thing 1 & thing 2
Susan Burch, USA
opening remarks
at the county meeting
lizard pushups
Alanna C. Burke, USA
fruitcake recipe
Mom’s last ingredient
an etc.
Thomas Chockley, USA
halfway vegan
the meat
on my breath
Elan Chogan, USA
second marriage—
growing into
hand-me-downs
Mary Ann Conley, USA
baby shower
a rain of
gifs
Shane Coppage, USA
snowman
a homeless guy eats
the carrot nose
William Cullen Jr., USA
social
media
feeds
the
need
for
silence
Timothy Daly, France
grandson’s questions . . .
my mother mobilizes
all her wrinkles
re-fastening the tie
of my dripping umbrella . . .
psychologist’s office
Maya Daneva, The Netherlands
backstage
her whole body sings
the blues
wants vs. needs
the hoarder’s
blank face
Pat Davis, USA
waking to her warmth
distant trucks
on the interstate
M F Drummy, USA
democratic elections
the crowd chooses
Barabbas
Keith Evetts, UK
for good luck
I wear my Everest t-shirt
pulmonary lab
Bruce H. Feingold, USA
mama clouds
the softness
still inside
the little strip
that keeps her alive
allotment garden
Katja Fox, UK
ghosted again
the herky-jerky descent
of a spider
Lisa Gerlits, USA
after rehab
this strange tenderness
of my parents
Alexander Groth, Germany
stuffed lion
on my bed
he comes anyway
Shasta Hatter, USA
his approximation of love statistically
Patricia Hawkhead, UK
worm castings the shit we go through
Kerry J. Heckman, USA
nursing home
her restraints more visible
than mine
Robert Hirschfield, USA
should you clip my rorschach’s wings
making
its own weather
hearsay
Jonathan Humphrey, USA
performative exuberance a convocation of falutins
Peter Jastermsky, USA
cactus bloom
gentle words
are an option too
Ravi Kiran, India
frugal to the end
he chooses
pine
Kim Klugh, USA
bloomless orchid
she’s sorry I feel
that way
Kimberly Kuchar, USA
friday morning
a few dates
in my blender
K.G. Munro, Scotland
kodokushi every single star
Eva Limbach, Germany
back to school this year’s forever war
Eric A. Lohman, USA
leftovers
papa seasons
the grace
Bob Lucky, Portugal
hi!
hiya!
hyacinth!
olive tray
she picks
the lonely one
Mary McCormack, USA
empty nest
I give the cat
a little wave
Laurie D. Morrissey, USA
thigh-high meadow
naming the monster
that made it rustle
car track
our son practices
his road rage
Ben Oliver, England
the whites
of his lies
stump speech
Roland Packer, Canada
nurses’ station
the crossword puzzle
always unfinished
John Pappas, USA
softening my otherness in Rome
Madhuri Pillai, Australia
changing the channel
from the news
to pro-wrestling
I grapple with
not growing up
Dave Read, Canada
don’t text back I love you
Bryan Rickert, USA
midnight diner
an extra chair
for my demon
Jenn Ryan-Jauregui, USA
just in time
for Independence Day
an imaginary enemy
Julie Schwerin, USA
negating the pre-programmed self red yellow blue
Shloka Shankar, India
first time everything in pianissimo
Raghav Prashant Sundar, India
the hard ch’i of Santōka’s heels
Patrick Sweeney, USA
secret recipe
the meal she makes
out of passing it on
Herb Tate, UK
blood moon suddenly she matters
Elisa Theriana, Indonesia
red envelopes
her middle-aged kids
get lucky dollars
Richard Tice, USA
how many spoons
for this meal
autism
C.X. Turner, UK
prairie wind
a herd of buffalo
becoming dust
Joseph P. Wechselberger, USA
suburban growth—
the Cascade View apartment
blocks the view
Michael Dylan Welch, USA
boa
what started
as a hug
Mike White, USA
lovebirds
a little boy
with a stone
Robert Witmer, Japan
Haibun
Next Services 100 Miles
From nowhere to nowhere:
a straight ribbon of road, aimed
east and west through geologic
time. Rocks once under water.
Sand once solid rock. The rise
and fall of dust devils.
beigeness
blasting jazz funk
to stay awake
Distant horizons, unforgiving
and unforgiven. On a tall pole,
hand-lettered signs tell how far
to Gallup, Anza, Kalamazoo.
Parallel to asphalt, long lines
of abandoned boxcars.
rite of passage
names spelled in stones
by the tracks
Come afternoon, a flood
of petrichor over creosote flats.
Clouds pile up, then let go,
clumps of graphite rain
streaking down, the runoff
dousing roadside datura.
black and white
the turkey vultures
circling
Cynthia Anderson, USA
silent protest
nice to see these finding their way into bourgeois sectors more upscale neighborhoods all the college kids sitting quietly cross-legged on the campus president’s lawn mean well for certain playing ‘changes’ politely on their boom box at a reasonable volume… they’d achieve better results if they broke one of those many windows over yonder i reckon but will keep my opinions to myself and observe respectfully
writing
a good poem
in bad light
Jerome Berglund, USA
Scarabian Nights
So my friend sent me a meme about how 1 in 3 people is a beetle, so I MUST be one. And instead of refuting them, I started thinking about what kind of beetle I might be. A June bug? A tansy? Something iridescent?
opal moon
the veins in my leg
shimmering
Susan Burch, USA
Neonatal Care Unit
Suck my finger. Atta boy—your veins are thin. One day, you will grow like the giant jackfruit tree in our backyard, beside where barrel cactus seeds were sown.
ambu bag—
white balloon outside
in sudden wind
Ashesh Das, India
Merger
Across this ocean of a coffee table, I ask if he would have ever thought of marrying me if I hadn’t asked him.
pitching boat
the crash
of a breaching whale
Eavonka Ettinger, USA
Holy City
As I walk down Star Street towards Manger Square, I spot the stainless steel rotisserie oven across the cobble stones. An older gentleman in a white short-sleeve shirt and gray slacks looks up at me.
“Hello, I’ll take a chicken. How many shekels?”
“Thirty-eight,” he replies.
I smile, “Okay.”
“You want it cut?”
“No, Whole is good.” I laugh.
He slides a browned baked bird off the skewer, sprinkles it with sumac, wraps it up in aluminum foil, and plops it in a plastic bag. I hand him a fifty.
He drops 14 shekels into my hand saying, “36 for you.”
I’m surprised. “Thirty-six? Why? Because I didn’t have it cut?”
“No, because you laughed. Most people are…” He makes a
grumpy face . . . “You smile.”
prayers echo
through the streets of Bethlehem
desert breeze
John S Green, Jordan
Paradise Lost
In the cramped bomb shelter, the eight-year-old dozing in the crook of her mother’s arm awakens with a start, as she always does these days.
She looks at the faces of the women around her. They seem cast out of the same mould—furrowed forehead, empty eyes, sagging shoulders . . .
Bored, the little girl wriggles free and ferrets out a notebook from her bag, along with a few stubs of crayons they had saved. She scribbles intently.
The open notebook with the girl’s sketch passes from hand to hand.
dream home
a circle of smiles
at the dinner table
Anju Kishore, India
Confession
Even when I know what I should do—for my own good, for the good of others, for the good of the world—I’ll hop in a car and drive 25 miles to scarf what may be the best burger in the world, accompanied by craft beer, and top it all with a dessert worth more than a week’s worth of recommended sugar, assuming any health authorities commend sugar. Back home, I feed a can of chicken-of-the-lab to my sorry excuse for a wolf before I turn on my devices, tune in to the drivel, and drop off to sleep.
guilt dump
laying plastic flowers
at the recycle bin
Bob Lucky, Portugal
Waiting for Great Granny to Say Something
Nothing is what we say it is, but we have to call it something. There is no stone in the stone, no fire in the flame, no Chinese food in China. We name things to possess them.
family reunion
the adopted baby
not yet sweetie pie
Bob Lucky, Portugal
Up the Creek
The red-eared slider sits atop a rock misted by waterfall.
The turtle’s at the end of a long formation shaped like
a mermaid, the slider at the tip of the tail, the mermaid’s
torso and head part of the waterfall’s face. I wonder about
the hydraulics moving his turtle head up and down, side-
to-side. The motor, gears, springs, the oil in the thing.
Are there noises he hears inside that shell, does his neck
stiffen if he doesn’t move it, do the limbs go numb?
end of summer . . .
the surgical spine center’s
reminder text
Richard L. Matta, USA
Her first fishing camp
herring fry
along a beach gutter
the isosceles of a fin
Scarlet lichen finger-painting black granite outcrops
bone-white sand necklaced burnt-umber by bull kelp
Abalone jemmied off rocks in knee-deep surf breaks
black-frilled and rubbery muscle fed into hand grinder
Oozy pearls of chopped flesh stirred with flour and salt
pan-fried crisp-golden in embers blue mussels
Frizzle-bearded yawn wide to orange-pink folds mud oysters
big as open hands spilling milky seajuice, swallowed raw.
live bait
what comes here is
already spoken for
Steady blows from off the strait roaring forties
driving swell after swell hard into musselroe bay
Hunting for crayfish, claws snag-wedged in sublittoral cracks
tossing back females, egg-heavy for another year
Soot-encrusted cast-iron pots boiling water over coals and
spiny carapaces in erubescent agonies, fast-chilled on ice
Tail after tail snapped off—more more, still more rich sweet flesh
until every bite becomes part pleasure, part disgust.
coming of age
a discarded diary
salt-flowered
Marietta McGregor, Australia
Procedure
Afterward, my sister said she would do it again if someone paid her ten dollars.
The best thing I could say about it was that most of it was not offensive.
eating our feelings
at the hospital café
0-calorie parfait
Sarah E. Metzler, USA
Dolorosa Street* again
Another sudden death in the family and day after day of dutiful obligations. Sweat and teardrops evaporate under a magnesium white-hot summer sun. Distant thunder, but the rain never comes. So, just a brief note: yes, I’m still down here working within this infernal Texas horno—exhausted, bleached to the bone, desiccating, call it what you will. Each day I roam his many rooms, sort his possessions one-by-one. For amusement I watch the silent mockingbirds drop from the dead live oaks, a scorpion scuttle under the shadow of a mesquite in the molten asphalt parking lot. We know there’s more death in the air—everyone here can smell it, this malarial anti-petrichor. I gotta vamonos— ¡Buenos noches, mi corazon!
thermodynamics
skeletons dance the jig
to the mission bells
Mark Meyer, USA
*a street in San Antonio
Bird Brain
I don’t remember if my real father ever actually referred to me using those specific words. In any case, I wasn’t very bright, and he seemed to like to remind me often. But none of that matters this morning. I’ve put even my most important prayers on slight hold so I can walk over to the robin’s nest (new tender eggs) that’s on the back end of the house. A womb unto itself. A miniature mother earth bursting with stories. Deep knowledge about all the things a bird needs to know to survive. Or a person, for that matter. How to turn dirt and wood—if even just for a short while—into a warm home. Into beautiful family and its precise songs.
That sure don’t seem dumb to me.
spring chores—
the whole world dust
and dandelion fluff
Andrew Riutta, USA
Timeline of Tattoos I Didn’t Get
1984: Great-grandpa St. Claire’s fading green heart
1991: My friend’s Anton LaVey-lookalike uncle’s inscrutable “got ’em in lockup” squiggles
1996: The American flag of the odious, mouth-breathing bully who was always trying to goad me, unsuccessfully, into fisticuffs
1997: The Tasmanian devil stretching to infinity of the roided-up jock in my gym class who bleached his hair to copy me when I bleached mine first (and who ultimately got the credit for starting the fad)
1998: The tiger face inscribed in a swallowtail’s wings of the blonde girl who sat at my lunch table and was always offering me acid and hash
1999: The inscrutable swishes of the “it’s Chinese for energy” on the neck of that aloof girl who flipped burgers with me and only acknowledged I existed when she wanted to talk about her tattoo
2000: “Heather” (her name) in gigantic, grand calligraphy, inscribed over a magnificent, pink pansy, on her lower stomach, right before she got pregnant after a one night stand with “American flag” (see: 1996)
2001: The praying hands on my stoner boss’s shoulder who I worked with for four years and only saw sober twice
2002: The horimono (and pierced nipples) of the chaw-chomping ex-marine I never liked but who always seemed to think we were friends
2004: The bouquet of daisies on my boss’s calf that she was fond of showing customers
2005: The temp’s not-a-tramp-stamp tramp stamp
2007: The black polygons of the tribal tattoos that my gym rat coworker got done in suburban Baltimore
2009: The permanent eyeliner that my friend’s girlfriend got from her mom
2010: The Rilke quote that the girl from customer service got on her forearm
2011: My peer’s wedding ring
2012: The unfriendly barista’s murmuration of starlings that turned into dandelion seeds that turned into clouds that turned into falling maple leaves that turned into starfish
2013: The other manager on my team’s baby sonogram heartbeat
2014: My VP’s Confederate flag
2015: The CFO’s wife’s “isn’t it tasteful?” just-another-night-out-with-the-girls bracelet of roses
2016: The monochrome sleeve of the waiter at the country club, about whom the CEO says, “I guess they’ll hire anyone now”
2017: The cross on the wrist of the girl in the WIC office
2019: “I’m my own worst enemy” on the calf of the young man waiting for a table at Olive Garden
2020: The “mistake” on my direct report’s backside, which finally got removed after 12 laser sessions with the dermatologist
2021: The skull and crossbones on the face of the kid behind me in line on Black Friday who was complaining about being unemployed
2023: “Guy’s Weekend 2023” surrounded by a few loops of chain link that the guy friends I don’t have didn’t get
different
just like everyone else
mockingbird
Joshua St. Claire, USA
Safe?
As humans continue interspecies warfare, we only have 35% more non-human animals to go.
Are you in?
spent cartridge of a fox
wagner’s ring cycle plays
through the night
Alan Summers, UK
Poet’s note: “spent cartridge” alludes to the astringent smell of ejected excrement by foxes, plus simultaneous smells emitted via glands placed all over their bodies. It’s also a metaphorical image of spent cartridges (ammunition) lying around.
Gembun
all I did was watch a pelican dive for food nearly 100 times
island paradise
even here
writer’s block
Bryan Rickert, USA
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